Antiques Blog

Leonardo Da Vinci’s Lost Masterpiece Goes up for Auction

Salvator Mundi — The rediscovery of a masterpiece: Chronology, conservation, and authentication

Leonardo da Vinci’s Salvator Mundi is one of the greatest and most unexpected artistic rediscoveries of the 21st century. Its illustrious 500-year history, and the story of its re-emergence, restoration and authentication, is as fascinating as any of the bestselling thrillers about Leonardo’s life and times

Leonardo Da Vinci’s Savaltor Mundi, or Savior of the world. Painted in 1500

Leonardo paints Salvator Mundi  possibly for King Louis XII of France and his consort, Anne of Brittany. It is most likely commissioned soon after the conquests of Milan and Genoa.

Expert opinion varies slightly on the dating. Most consulting scholars place the painting at the end of Leonardo’s Milanese period in the later 1490s, contemporary with The Last Supper. Others believe it to be slightly later, painted in Florence (to where the artist moved in 1500), contemporary with the Mona Lisa. Like several of Leonardo’s later paintings, the Salvator Mundi  is probably executed over a period of years.


French princess Henrietta Maria marries King Charles I of England (1600-1649), the greatest picture collector of his age. It has been speculated that she brings the painting to England, whereupon it hangs in the private chambers at her palace in Greenwich until, with Civil War looming, she flees England in 1644.

Charles I of England, the greatest art collector of his age, and Henrietta Maria, who is thought to have brought the painting to England from France upon becoming his queen consort in 1625. Painting by Anthony van Dyck. Palazzo Pitti, Florence, Italy / Bridgeman ImagesThe celebrated printmaker Wenceslaus Hollar — a Royalist who also escaped England in the 1640s — publishes a print based on an earlier drawing he had made of the painting, which itself is recorded in the inventory of the royal collection (‘A peece of Christ done by Leonardo at 30:00:00’). The inventory is compiled in fulfilment of an act of Parliament dated 23 March 1649, which requires the sale of the king and queen’s property to meet the debts of their creditors and for the ‘publick uses of this Commonwealth’.


The celebrated printmaker Wenceslaus Hollar — a Royalist who also escaped England in the 1640s — publishes a print based on an earlier drawing he had made of the painting, which itself is recorded in the inventory of the royal collection (‘A peece of Christ done by Leonardo at 30:00:00’). The inventory is compiled in fulfilment of an act of Parliament dated 23 March 1649, which requires the sale of the king and queen’s property to meet the debts of their creditors and for the ‘publick uses of this Commonwealth’.

Hollar signs and dates his etching, inscribing it ‘Leonardus da Vinci pinxit’, Latin for ‘Leonardo da Vinci painted it’. The print itself is published in Antwerp and proof copies are sent to the queen in exile.

esus after Leonardo (state 1) by Wenceslas Hollar, including the artist’s inscription in Latin: ‘Leonardus da Vinci pinxit’ (‘Leonardo da Vinci painted it’). Artwork form University of Toronto Wenceslas Hollar Digital Collection

1651An inventory records that the painting is sold at the ‘Commonwealth Sale’ on 23 October to John Stone, a mason (in modern terms an architect or builder) who was representative of a group of creditors who received it and other paintings in repayment of debts.


Charles II is restored to the throne and his late father’s possessions are recalled by an act of Parliament. Stone returns the painting to the Crown.


An inventory of the collection of King Charles II at Whitehall lists it among the select paintings in the king’s closet, as item 311: ‘Leonard de Vince O.r. Savio.r a gloabe in one hand and holding up y.e other’.

Charles II is restored to the throne in 1660 and his late father’s possessions, including the painting by Leonardo, are recalled by an act of Parliament. Portrait by Godfrey Kneller. Kenwood House, London, UK © Historic England / Bridgeman Images

1685 to late 18th century

The picture very probably remains at Whitehall during the reign of Charles II’s successor, James II (1685-88), passing to his mistress, Catherine Sedley, Countess of Dorchester (1657-1717), and then by descent until the late 18th century.

Having vanished for around 200 years, the painting surfaces when it is acquired from Sir Charles Robinson as a work by Leonardo’s follower, Bernardino Luini, for the Cook Collection, Doughty House, Richmond. By this time, the walnut panel on which it is painted has been marouflaged and cradled and Christ’s face and hair have been extensively overpainted.

The architect Leon Benois exhibits the Madonna and Child with Flowers by Leonardo, a painting previously thought lost, in St Petersburg. Now in the Hermitage, St. Petersburg, The Benois Madonna, as it is now known, remains the last Leonardo painting to have emerged for almost 100 years.

he previous painting by Leonardo to come to light — Madonna and Child with Flowers, known as the Benois Madonna, which was exhibited in St Petersburg in 1909. akg-images / Album / Prisma

1913In his catalogue of the Italian paintings in the Cook Collection, Tancred Borenius describes the present painting as a ‘free copy after Boltraffio’ (another pupil of Leonardo’s). Sir Herbert Cook, however, notes that he sees higher quality in it.

Salvator Mundi in the Cook Collection


In the dispersal of the Cook Collection Salvador Mundi — concealed by overpainting — is ultimately consigned to a sale at auction where it fetches £45. It then disappears once again for nearly 50 years.


The painting is discovered — masquerading as a copy — in a regional auction in the United States. After acquiring it from an American estate, its new owners move forward with care and deliberation in cleaning and restoring the painting, researching and thoroughly documenting it, and cautiously vetting its authenticity with the world’s leading authorities on the works and career of the Milanese master.

A comprehensive restoration of the Salvator Mundi is undertaken by Dianne Dwyer Modestini, Senior Research Fellow and Conservator of the Kress Program in Paintings Conservation at the Conservation Center of the Institute of Fine Arts, New York University. Modestini explains that the original walnut panel on which Leonardo, who was known for his use of experimental material, executed Salvator Mundi contained a knot which had split early in its history. However, she concludes that important parts of the painting are remarkably well-preserved, and close to their original state. These include both of Christ’s hands, the exquisitely rendered curls of his hair, the orb, and much of his drapery. The magnificently executed blessing hand, Modestini notes, is intact. With regards to the face, Modestini comments, ‘Fortunately, apart from the discrete losses, the flesh tones of the face retain their entire layer structure, including the final scumbles and glazes. These passages have not suffered from abrasion; if they had I wouldn’t have been able to reconstruct the losses.’

During the conservation process, pentimenti — preliminary compositional ideas, subsequently changed by the artist in the finished painting, but not reflected in the etching or painted copies — are observed through infrared imaging, and duly photographed. The most prominent is a first position for the thumb in the blessing hand, more upright than in the finished picture. IRR imagery also reveals distinct handprints, especially evident on the proper left side of Christ’s forehead, where the artist smoothed and blotted the paint with his palm. This kneading of the paint in order to create soft and amorphous effects of shadow and light is typical of the artist’s technique in the latter part of Leonardo’s career.

Other discoveries afforded by infrared analysis include the possibility that the head was executed with the aid of a cartoon; spolveri — pouncing — can be seen running along the line of the upper lip.

Two drawings comprising three sketches survive in which Leonardo studied the basic folds and disposition of Christ’s tunic and its sleeves. The two sheets are in the royal collections at Windsor Castle in England.

Technical examinations and analyses demonstrate the consistency of the pigments, media, and technique discovered in the Salvator Mundi with those known to have been used by Leonardo, especially in comparison to the Mona Lisa and St. John. As the possibility of the great master’s authorship becomes clear, the painting is shown to a group of international Leonardo scholars and experts, including Mina Gregori (University of Florence) and Sir Nicholas Penny (then, Chief Curator of Sculpture, National Gallery of Art, Washington, D.C.; subsequently Director of The National Gallery, London), so that an informed consensus about its attribution might be obtained.

Leonardo da Vinci, Salvator Mundi, circa 1500 (detail)


The painting is studied at The Metropolitan Museum of Art by museum curators Keith Christiansen, Andrea Bayer, Carmen Bambach, and Everett Fahy, and by Michael Gallagher, Head of the Department of Paintings Conservation.

In late May, the painting is taken to The National Gallery, London, where it is studied in direct comparison with The Virgin of the Rocks, Leonardo’s painting of approximately the same date. David Allan Brown (Curator of Italian Painting, National Gallery of Art, Washington, D.C.), Maria Teresa Fiorio (Raccolta Vinciana, Milan), Luke Syson, the Curator of Italian Paintings at The National Gallery, Martin Kemp (University of Oxford), Pietro C. Marani (Professor of Art History at the Politecnico di Milano), and Carmen Bambach of the Metropolitan Museum of Art are among those invited to study the two paintings together. Later, the authenticity of the piece as an autograph work by Leonardo was confirmed by Vincent Delieuvin at the Louvre, Paris.


The painting is again examined in New York by several of the above, as well as by David Ekserdjian (University of Leicester) and a broad consensus is reached that the Salvator Mundi was painted by Leonardo da Vinci, and that it is the single original painting from which the many copies and student versions depend.

The reasons for the unusually uniform scholarly consensus that the painting is an autograph work by Leonardo are several, including the previously mentioned relationship of the painting to the two autograph preparatory drawings in Windsor Castle; its correspondence to the composition of the ‘Salvator Mundi’ documented in Wenceslaus Hollar’s etching of 1650; and its manifest superiority to the more than 20 known painted versions of the composition.

Furthermore, the extraordinary quality of the picture, especially evident in its best-preserved areas, and its close adherence in style to Leonardo’s known paintings from circa 1500, solidifies this consensus.

The painting is expected to fetch at auction over 100M Dollars.  But with all the hype and frenzy over this discovery I beleive at auction it will bring two to three times the price.

This article is a reprint from Christies auction site.

Thanks for reading.

Mark LaFleur
The Antique Warehouse

Flying Water Taxi’s for Paris?

If this isn’t the coolest thing ever, I really don’t know what is. And of course it’s started in France. Paris actually.

This summer a fleet of George Jetson like water taxis will be unleashed to the public and will jet up and down the Seine.
What fun!

Think Uber but as a boat which hovers above the water– so basically, a flying boat taxi, right along the Paris Seine River..

Alain Thébault and Anders Bringdal, who together broke the record for speed on a flying sailboat that they designed back in 2009, created these futuristic electric-powered water taxis which go by the name of “Sea Bubbles”. Although, to me they kind of look like weird little bug robots…

Each shuttle will carry 5 people, including a pilot (until regulations change to allow self-driving models)
They will be used with an application similar to Uber and cost no more than €10 a ride
You’ll able to summon them to specially-designed docks which will also serve as charging stations
They will be zero emission and eco-friendly, built with biodegradable material
They’ll be silent and generate no waves
They will hover a few inches above water, travelling at a maximum speed of 30km imposed by the city (about the speed of going downhill on a bicycle).

Interior Shot

The bubbles have gained support from the controversial Paris mayor, Anne Hidalgo, who is passionate to ensure that the city cuts down on pollution and sets eco-efficient standards for the rest of the world.

The first tests for the Sea Bubbles are planned to commence June 14th on the Seine and rumour has it that if all goes well, they will be launched as a permanent form of transport next Spring.

Lets go to Paris and jet along the Seine. I can’t think of anything more I’d rather do.



La Samaritane Scheduled to Reopen

For years, one of the world’s most iconic and historic department stores sat empty along the banks of the Seine in Paris; an imposing ghostly shell of former retail splendour, a giant sleeping elephant in the room occupying prime real estate in the heart of the city.

When I heard that renovation works were finally set to begin again after numerous false starts and lengthy delays I was pleased. It was a beautiful building that deserved ressurection.

The Art Nouveau Splendor Palace.

The Art Nouveau Splendor Palace.

I remember shopping at the Samaritaine before it closed. It had grown old and dingy even then, but it did have everything and anything. I think I was looking for fabric or something. When I learned the icon of Parisian shopping was closing it confirmed the sad state of trying to run a business under the current bureaucratic nightmare of a government in France. I was pleased to learn it was reopening under the umbrella of the fashion giant LVMH, spearheaded by French billionaire Bernard Arnault. (He owns most of the fashion houses in Europe now, including Dior, Louis Vuitton, Celine and too many to list). At least Arnault knows how to operate under the system that’s bleeding the country dry and still make money.

Mon. Arnault

Mon. Arnault

The origins of La Samaritaine is another rags to riches story. The founder Ernest Cognacq, started out his career selling ties under a red umbrella on the Pont Neuf, until 1869, when he heard about a space for let in a petite room next to a café he frequented on the nearby Rue de la Monnaie. He took the offer, opened a small clothing boutique and recruited his wife as his first employee, who had been working as a saleswoman in the confectionary aisles at Le Bon Marché. I wonder if the couple knew then that the famous department store where she left her job would come to be their greatest competitor.


By the dawn of the twentieth century, just thirty years on from Cognacq’s humble beginnings as a smalltime tradesman on the Seine, the couple had expanded their enterprise, giving birth to the large edifice seen today, the “Grands Magasins de La Samaritaine”.


A clever and ambitious businessman, he steadily acquired neighbouring buildings around him and soon enough, entire city blocks were being reworked and reconstructed to make space for his growing empire.


La Samaritaine was an art nouveau palace of retail, the ideally organised and managed department store, arranged as a collection of individually owned stores, each managed by “petits patrons” that operated in harmony but autonomously.


Cognacq used revolutionary marketing techniques, attracting the crowds with “deal of the day” and started doing what might seem obvious to us today– price-labelling the items.


La Samaritaine became Paris’ leading department store and was at its peak during the interwar period, when nearly 20,000 people were under its employ.


It occupied four buildings between the river and the rue de Rivoli, living up to the famous slogan later coined for the department store; “On trouve tout à la Samaritaine” – One can find everything in La Samaritaine.”


There was even a gymnasium and a nursery. That’s something you won’t find in the chic Vancouver ‘Nordstroms’!


I will look forward to the opening of the new Samaratine. They promise to leave all the Art Nouveau splendor that went into building the original palace of luxury shopping. Maybe it will be that way again maybe it won’t. We’ll see now won’t we.



How Antiques Amp Up a Contemporary Space.

This week on the premier website 1 Dibs, an article was published “How Antiques Amp Up a Contemporary Space”. I’ve pulled the article and reposted on my website. The writer is Cara Greenberg and here is her article below. But I’ve been saying this for years now, and really any good interior designer or decorator already knows this.

How Antiques Amp Up a Contemporary Space.
By Cara Greenberg.

Antiques add drama — and ­more than a little gravitas — to contemporary interiors. Top talents reveal how they pull off the balancing act.

Call it the X factor: the unexpected juxtaposition of decorative elements that lifts a contemporary interior out of the ordinary and makes people sit up and take notice. Often, it’s the insertion of one or more well-chosen antiques, thoughtfully deployed against the clean lines of contemporary furnishings, that makes the whole setting pop. “Antiques are the element of surprise in a contemporary space,” says Los Angeles– and New York–based interior designer Alexandra Loew.

Alexandra Lowe

Alexandra Lowe

“Antiques are a great foil to chic-but-clinical newness,” is how James “Ford” Huniford, of Huniford Design Studio in New York’s Greenwich Village, puts it. “They can keep a contemporary interior from looking like a sterile showroom.”

James Huniford

James Huniford

It wasn’t until the last few decades of the 20th century that mixing styles and periods became acceptable, and then de rigueur. Prior to that, people lived with whatever was, for them, modern in its truest sense — “of the moment,” whether the moment was Louis XIV, Colonial or high Victorian. The early 20th century saw revivals of classical styles, the birth of the modernist movement and the swoops and amoeboid shapes of the immediate postwar years. By the 1960s, when the typical contemporary room was white and spare, with furnishings predicated on the right angle, some design mavericks began bringing in Tiffany lamps and bentwood rockers to leaven the mix.

This lovely Louis XVI Console is just at home in a contemporary setting as in a classic. Only this one was produced in France and has an enduring look and quality that will last for ever.

This lovely Louis XVI Console is just at home in a contemporary setting as in a classic. Only this one was produced in France and has an enduring look and quality that will last for decades.

Today, with websites making global shopping possible, the whole of decorative-arts history is fair game for those seeking to create interesting interiors, which can incorporate every style and period from antiquity to the present day. But a delicate balancing act is required. Many top designers selectively use antiques in otherwise contemporary settings to add drama and enliven their schemes. Examples of this are located on our ‘inspiration’ page of our website.

Louis XVI chairs like these were sold by us to Interior Decorator Superstar Nate Berkus who used them in one of his design projects just this past year.

Louis XVI chairs like these were sold by us to Interior Decorator Superstar Nate Berkus who used them in one of his design projects just this past year.

I love the use of the bureau bookcase and the 60's maison bague style table  in this modern bathroom.

I love the use of the bureau bookcase and the 60’s maison bague style table in this modern bathroom.

This beautiful French Farm table makes this contemporary space look simple and elegant.

This beautiful French Farm table makes this contemporary space look simple and elegant.

So you have it. Mix an antique for drama and style. But you and I already knew that-

Thanks for reading!

Mark LaFleur
226 SW Marine Drive,
Vancouver, B.C.
Please visit our website

We ship worldwide.

Cote de Boeuf

For all you vegetarians out there, this is not a blog you’ll find particularly interesting. But to my fellow carnivores, you will love this! A week or so ago a friend invited me out to dinner. We chose the relatively new ‘Umbertos’ as neither of us had been yet.


There I was, all dressed and feeling fabulous, car so sparkling clean it was blinding. I pulled up to the front of Umberto’s and handed the valet my keys.

“Excuse me Sir…just so you know” said the Valet “You drove up the bicycle lane”

“What” I said “Oh I’m so sorry, I thought it was the entrance to the Restaurant”

Meanwhile a group of outdoor diners were laughing as I spun around to check for ‘bicycle lane’ signs.

“But there’s no signs” I said “This is all very confusing”

“Don’t worry” said the valet “You’re not the first to do it.”

“So if I’m not the first, then why hasn’t something been done to fix the problem” I thought to myself

“Have a nice dinner” said the Valet as I hurried by a group of smirking onlookers.

I arrived early so I had a chance to peruse the menu. I found something that raised the taste buds to a standing attention. They called it ‘Fiorentino’ but I had a hunch it might be what the French call a ‘Cote de Boeuf’ (Cut of Beef). The description was right but I had to know exactly. No other restaurant in Vancouver that I’ve been to has ever produced a real ‘Cote de Boeuf’. What is a Cote de Boeuf you might ask. Picture this, a 38oz bone in cut of porterhouse steak roasted to perfection then sliced in manageable and edible portions.

Cote de Boeuf - Parisian style.

Cote de Boeuf – Parisian style.

I asked my waiter about the dish and he knew exactly what a Cote de Bouef was. He confirmed that it was their version but it was virtually the same thing. I couldn’t wait. In fact, when my dinner guest arrived I insisted we order the dish. It was perfectly done! Nice and rare and enough for four people, let alone two. In fact, we never finished the whole thing.

I’m not promoting Umberto, although I think he deserves it. I’ve been going to Umbertos since my early 20’s when he was the only restaurant in town that would allow me to bring my royal black standard poodle along with me to dinner. (If any of you remember the Mark James clothing store for men on Broadway, Mark had a couple of them lumbering around his store.) (Also, just to mention, I did not and never did have the ‘pom pom’ cut on my dog..)

My dog Sebastian looked exactly like the bigger of the two dogs only completely black.

My dog Sebastian looked exactly like the bigger of the two dogs only completely black. I would strap him into the front seat of my car with my seatbelt and onlookers thought there was a passenger in the car.

Yes, I know there are more hip and trendy places, but frankly, anyone that can make Lobster bisque (to perfection) and a ‘Cote de Boeuf’, deserves to be mentioned. (Even if the loud and self entitled table next to me were so obnoxious that my dinner guest and I had to literally shout to talk to each other). There’s nothing more annoying and frankly we hurried our dinner just to get away from these people. Ugh!

Seriously, other people are trying to enjoy their dinner and talk without shouting at each other.

Seriously, other people are trying to enjoy their dinner and talk without shouting at each other.

That’s one difference (among many) that I love about dining in Paris. (unless it’s a bar or bistro) people respect other peoples space and would never raise their voices to attract attention.

The interior of Il Giardino

The interior of Il Giardino

In any event, if you’re looking for something special and you love meat, I highly recommend a trip to Umbertos. But arrive hungry you’ll need the room.

Bon Appetit

Mark LaFleur
The Antique Warehouse
226 SW Marine Drive,
Vancouver, BC

See you next week!

See you next week!

Club Michou, Paris.

Mention Chez Michou to any Parisian and they all know it. It’s been around since the swinging 60’s when it was hip and impossible to get into. The second night after we arrived my best friend Simon said “Great you’re here..we’re going to Chez Michou and you must come…I’ll get you some tickets” At 150E a ticket he was being most generous. (I did offer to pay but he refused.)

Now Chez Michou is really nothing more than a crowded, impossible to get into, female impersonator club. The show was amazing, the food, well, mediochre at best. But then again, it is a club, not a restaraunt.

Club Michou, Paris legend since the 1960's. It was completely packed on the Monday night we went.

Club Michou, Paris legend since the 1960’s. It was completely packed on the Monday night we went.

Club Michou requires months in advance for reservations. It’s been like that for decades. So to get in last minute was something I wouldn’t pass on. I turned to my Nephew and asked him if he packed a jacket for going out.

“No” he said.

“Well” I said “Lets go shopping.”

I bought him a new sports jacket (short cropped very tight at the waist that can only be worn by 22 year olds with 18″ waists) shirt, pants, shoes, and flew him down to a great salon I knew to get his hair ‘Parisianized’. I told him just sit back relax! They know what they’re doing. They trimmed his beard (thank God) and redid his hair.

He’s such a good kid he listened to his uncle Mark and within minutes he was ‘Voila un Parisian’. The cut was beautiful, he looked totally French and I was completely satisfied with my creation. I was a stylist years ago when I was very young. I worked on the lead actor of the dreadful movie that has now has a cult following “The Evil Dead”. My long time New York friend, Lauren was the publicist and she asked me if I’d style the lead actor. We now laugh at the ‘popularity’ of this movie and frankly are slightly embarrassed we had anything to do with it.

FullSizeRender (275x500)

Anyway, by 8 we were at my friend Simons for champagne and appetizers and waiting for a private black van to take us to one of the most legendary clubs in Paris. The private black Mercedes arrived, packed us in, and up we went to the Montmartre district of Paris. We entered the club without waiting a second, (there was a line) and were greeted by charming albeit half drag queen, and shown to Michou’s table for a hello. We couldn’t help noticing that every celebrity’s photo from the 1960’s to now were covering the walls.

Michou immediately insisted we have a photo taken with him by his photographers. We found out later they were 20E a piece and it was nothing about being special.

MIchou with the fabulous Regine, famous for her hip nightclubs of the 80's.

MIchou with the fabulous Regine, famous for her hip nightclubs of the 80’s.

Our 'family' portrait with Jackson and I in the middle standing next to Julie, Stany, The bottom row is their daughter Ana Kim, Mother Aimee, Michou, Simon and Gabrielle.

Our ‘family’ portrait with Jackson and I in the middle standing next to Julie, Stany, The bottom row is their daughter Ana Kim, Mother Aimee, Michou, Simon and Gabrielle.

These two were there that night.

These two were there that night.

Don’t even think of getting out of Michou until way past 1 am. Their impersonations of Grace Jones, and Celine Dion sent shivers from the realism of the production. Jackson and I didn’t get home until past 3 and we had to be out the door by 9 am. That my friends what being Parisian is all about. Party all night, and work (for part of the day anyway).

Amazing Celine Dion impersonation, if you like Celine that is. They all adore her in Paris.

Amazing Celine Dion impersonation, if you like Celine that is. They all adore her in Paris.

The club is bright red inside and stays that way until you leave.

Chez Michou is cramped, small inside, and the food was not that great.  But the floorshow was amazing. When Grace Jones came on I thought I was dreaming. (or having a nightmare)

Chez Michou is cramped, small inside, and the food was not that great. But the floorshow was amazing. When Grace Jones came on I thought I was dreaming. (or having a nightmare)

In any event, I hope you enjoyed this blog. Chez Michou is a fun place but I don’t know that it’s for everyone. The performers spoke in nothing but French so much of it was lost as they spoke in slang and very quickly

In any event, I want to thank my friend Simon and Julie for inviting us. We had a truly Parisian Experience.


See you next week!

See you next week!

French Armoires…More Than Just a Closet.

In the past, Armoires were usually relegated to the bedroom of the house. In France, they’re still used just about everywhere you go. Of course, France is saturated with character homes that can date back several centuries still with the original furnishings intact. You’re guaranteed one of these beautiful Armoires in every bedroom of these residences if they were built before the 20th Century.

Typical South of France Maison.

Typical South of France Maison.

But Armoires in France aren’t restricted to houses or bedrooms. In French homes you’ll see Armoires used in any room where storage and decorative appeal is required. Like this photo below of an elegant Parisian apartment. Not only does it provide much needed storage but the decorative element is undeniable. (I also LOVE the floors).

Louis XV Style Armoire

The beautiful white distressed Louis XV style Armoire is not only decorative but a wonderful storage unit. We sell many Armoires at the Antique Warehouse.

Here in North America, buy a home or apartment and you’re almost guaranteed a built in closet. It may be the size of a postage stamp, but a newly constructed residence will always have one.

Although closets could occasionally be found in North America, they didn’t come into common use until after World War II. Today they’re viewed as a basic necessity, like indoor plumbing, and it can be quite a nuisance if you’re in an old house that’s missing one.

Not only do french armoires provide capacious storage and fantastic versatility, but their design impact is just what’s needed when you want to add some elegance and interest to an otherwise characterless room.

Painted French Armoire

A painted French armoire can give a lightness and a focal point of interest in any modern construction.

Not only does an armoire provide storage, but it’s a high-impact decorating tool. Although armoires were originally used in the 16th century for storing weapons (thus the name armoire, from the old French armarie), by the 17th century their use was expanded to include the storage of clothing and linens. This exemplary old French version is used classically in a bedroom. Its imposing presence grabs your attention and sets the tone.

Louis XV Painted Armoire

This beautiful Louis XV painted armoire is one of the nicest designs around.

And speaking of setting the tone, the elegant and ornately carved French Armoire can look sensational in a dining room. Paired with a French crystal chandelier the look creates a refined atmosphere that would make any hostess feel like she’s entertaining in Paris. You can put anything in those armoires, be it table linens, a bar, collections of dishes and crystal, a stereo playing cool jazz, classical or cool ambient tehcno.

Carved French Armoire


One of the nice things about these elegant pieces of furniture is that they are usually made to completely disassemble. (not always the case with Armoires from England) The doors lift easily off the hinges, the crown and base are usually separate pieces, and the sides and back will come apart in many sections.

Empire Armoire

the Empire armoire the man is taking apart for shipment to us will completely disassemble into about 10 or more pieces. You can see another armoire Louis XV in the background almost completely apart.

Small Armoires

Small Armoires look wonderful in the bathroom and provide much needed storage space.

Elements of Armoires can be used for a multitude of purposes. I personally took the doors off one armoire and replaced regular boring closet doors in an entry way in my home with a pair of walnut Louis XV doors. The look is fabulous and everyone remarks on their beauty. I didn’t refinish them either preferring to the leave the rich tonal qualities of the highly french polished walnut.

I found the below photo on the internet where a contractor had taken an armoire or buffet or French cabinet and created ‘cabinet facings’ in a kitchen. (see below). The look is splendid and rich!

Kitchen Cabinetry

Imagine the cost if you tried to have this custom made today.

In another example of adaptability, here an antique armoire has been expertly incorporated into bedroom closet storage. It definitely adds warmth and character.

Armoire Storage Closet


Storage Armoires

Look how much storage these armoires have. I’ve even retrofitted these pieces to fit big screen TV’s. This particular designer reversed the placement of the doors so they remain open and the decorative ‘fronts’ remain exposed.

Louis XIII Walnut Armoire

Look how interesting this Louis XIII walnut armoire looks in this modern environment. There’s no beams, crown mouldings, or chandeliers in this space. The interest and charm is created by the use of a few antiques.

Clearly armoires, be they French, English, Spanish or otherwise clearly have a multitude of uses. The idea is to decide where you’d like to incorporate these wonderful pieces into your home. Visit us in person or online and see the selection we carry here at The Antique Warehouse Vancouver. We ship anywhere!

Thanks for reading!

Mark LaFleur
The Antique Warehouse
226 SW Marine Drive,
Vancouver, BC


email: [email protected]

How to Mix Wood Tones

It is good news that the days of matching dining and bedroom sets is long gone, but many people are still afraid to mix multiple wood finishes in a single room. Don’t be. Allowing various wood tones to coexist, just like the many types of trees in a single forest, can create a more interesting and textured look. Here are some guidelines for successfully mixing it up without letting it get so out of hand that you feel like tossing your mismatched wood grains into a pile and lighting a fire.

Pick a dominant wood tone

The easiest way to pick a dominant wood tone is by choosing your floors. (If you are a renter and your floors have chosen you, work with what you have because the floor will set the tone for the rest of the room.)

The kind of wood finish you choose for your floor is a matter of personal taste and budget. Do you like dark-stained matte floorboards? Honey-toned oak with a glossy finish? Blond maple? Pickled oak with an aged whitewashed look? A new finish can radically change the feeling of a room, but it’s also a major investment, so pick something that you feel comfortable living with for years to come.

If you have concrete, rubber, or carpeted floors, choose a wood tone for larger furniture pieces as a starting point and add more tones as desired.

Pair similar (but not matching) tones

Medium-toned woods that don’t match but complement one another create a harmonious look. You can also use natural or unfinished woods to craft an organic and rustic feeling. Whitewashed elements add an airy effect, while dark-stained furniture lends contrast and a sense of groundedness. Incorporating too much of the same wood tone results in a static feeling, making it hard for individual pieces to stand out.

Limit your wood tones to two or three to start

The French love pairing white dining French chairs like the one above with a mahogany dining table. You can see from this small example of how interesting the white and mahogany contrast works. We've been advocating the mix for years!

The French love pairing white dining French chairs (like the one above) with a red or brown mahogany dining table. You can see from this small example of how interesting the contrast looks. We’ve been advocating the mix for years!

Limit your mix to two or three wood tones in the beginning, and try to balance them throughout the space for a harmonious look. Once you have your anchor pieces in place, you can experiment by swapping out a walnut coffee table for a distressed-wood piece or adding a driftwood lamp or a bamboo pendant light for another layer of interest. In a kitchen with a wooden floor, you might combine maple cabinets with rustic pine floors or glossy oak floors with a matte walnut island. If the tones of a chair, table, sideboard, or trunk don’t work in your space, consider painting the piece for a more neutral effect.


We love the look of the Victorian mahogany chairs paired with a simple farm table. Nothing fussy or boring about this room.

We love the look of the Victorian mahogany chairs paired with a simple farm table. Nothing fussy or boring about this room.

If your gorgeous antique mahogany table looks too harsh on your new bamboo floor, use a rug to create a landing pad and a smoother transition. The same is true when you want to lend the room a sense of contrast or help set off the lines of furnishings that might be lost against the backdrop of a similarly toned wood floor.

Mark LaFleur
The Antique Warehouse
226 SW Marine Drive,
Vancouver, BC.

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Flea Markets in Vancouver for Antiques?


Marche aux Puces in Paris

We visit the Marche aux Puces in Paris, but not many in the Vancouver, area.

Many people ask us if we ever do the flea markets in Vancouver to source any of our furniture. The answer is no. Not because we don’t like flea markets or think we wouldn’t find anything, but it’s always been our focus to import our products from France and other parts of Europe. We love the uniqueness and the quality that European antiques are famous for. And our clients seem to love them too!


19th Century Italian farm table

The likelihood of finding a 19th Century Italian farm table like this at a Vancouver Flea market is remote.

Flea markets are usually independent people or dealers that deal mainly with ‘smalls’ as we in the trade call them. That means china, glassware, and other collectibles. The odd dealer will haul a big piece of furniture but it’s difficult and for a ‘day’ it’s hardly worth the effort.

However, if you like flea markets they can be a fun way to spend the afternoon perusing through the myriad of tables and displays. You’ll never know what you’ll come across.

I’ve put together a list of local flea and farmer’s markets in the Vancouver area. The list was gleaned from the website. Some I’ve attended and some I’ve not. I love farmer’s markets particularly! There is a very good one out in the Ladner area that takes place in the summer on alternating weekends. Great produce and interesting vendors.

21st Century Flea Market – The flea markets and Retro/Antiques Fairs are all held at the Croatian Cultural Centre and the two Kerrisdale Antiques Fairs are at the Kerrisdale Arena in Vancouver.

General Admission $5 at Door 10am-3pm, Special Early-Bird Admission $20 at Door 7am-10am Children Under 13 Free with Adult Free Parking Snack Bar ATM. Phone (604) 980 3159 for more information or visit their web site at “We are a European-style collectors market, specializing in collectibles, antiques, retro, vintage and the like, rather than new or craft-type merchandise” says Renee Lafontaine of 21st Century Promotions.


Vancouver Flea Markets - Croatian Cultural Centre

The 21st Century Flea Market by 21st. C. Productions takes place at both the Croation Center and the Kerrisdale Arena.

2015 Dates:

Sunday, January 18, 2015 – 21st Century Flea Market

Sunday, February 22, 2015 – Retro Design & Antiques Fair

Sunday, March 22, 2015 – 21st Century Flea Market

Sat & Sun – April 18 & 19, 2015 – Kerrisdale Antiques Fair

Sunday, May 24, 2015 – 21st Century Flea Market

Sunday, June 28, 2015 – Retro Design & Antiques Fair

Sunday, July 26, 2015 – 21st Century Flea Market

Sat & Sun – Sep 5 & 6, 2015 – 21st Century Flea Market

Sunday, October 18, 2015 – Retro Design & Antiques Fair

Sunday, November 15, 2015 – 21st Century Flea Market

Sunday, December 6, 2015 – Retro Design & Antiques Fair


Gates open every Sunday 7:am to 3:00 pm. Table cost: $15.00 inside the hall and on the patio. Parking lot space $20.00 each. Tables are available for rent at $5.00 each. Admission: $1.00, children under 10 years are free.

Reservation required for inside and outside space. To reserve call Gary Johal @ 604-580-8444 office.

Aldergrove Flea Market – This is a new outdoor only market for 2013. It is at the corner of 264th Street and the Fraser Highway in Aldergrove, B.C. It is outside on blacktop. You can find most anything there. There is a very large tool vendor there and others who handle most everything else. It current runs Saturday and Sunday from 8:00am to approx. 3:00pm depending on customers. No one will likely be there on rainy days. but it’s a lot of fun. There are restaurants nearby. You can take in the large Cloverdale flea market on the way there or back. Spots to sell are $10 per parking stall. You must supply your own tables. Best times are sunny or non rainy days from April 01-Sept 30. There will be some vendors there earlier and later that this if the weather is good.See you there.


Vancouver Flea Markets - Aldergrove

The Aldergrove flea market is a fun way to spend a warm sunny summer afternoon.

Chinatown Public Market Weekend evenings (Friday to Sunday from 6:30 to 11:30) Keefer and Pender Streets become an open-air public market.

Cloverdale Flea Market – Update April 24 – New at this point is the return of our nurseries. For the next several Sundays, we will be filled with plant vendors. The plant people carry everything from bedding plants, hanging baskets, shrubs, perennials, annuals, flowers, succulents, etc… the list goes on! Definitely the best deals in the lower mainland!

The hours, 6:00 AM – 4:00 PM every Sunday with very few exceptions, remain the same. It is located in the Cloverdale Fairgrounds with entrances at 176th & 62nd Ave. and 176th and 60th Ave., Surrey. Admission is $1.50, children under 12 are free.

Please contact Andy Janes at 604-837-1676 or email at [email protected] Website,

The Eastside Flea – The Food Cart Fest ends on Sept 22, and the Eastside Flea is on-going monthly at the Wise Hall. We would like to invite you all to join us at the Wise Hall this fall, every 3rd Saturday of the month, for a day of wonders, treasures, charm, and good company! The Eastside Flea is a fresh new monthly flea market in East Vancouver featuring a diverse array of vendors from handmade goods, vintage clothing & antiques, art, craftsmen items, garage sale, and more! Admission into the market is by donation, and is all ages! Please bring the family, friends, anyone you know… we’ll have something for everyone!! This is a community-oriented event, and we would like to encourage all types of vendors to participate, from people with extra knick-knacks around the house to local businesses.
If you are interested in becoming a vendor at the Eastside Flea, or want more info, please send us an email at [email protected]


Vancouver Flea Markets - East Side Christmas Market

The east side flea market Christmas market.

East Vancouver Farmers Market has a number of markets in the Vancouver area and it stakes its claim as the only “true Farmers Market” in the heart of the city. Buy directly from farmers and other local producers. For more info, call (604) 879-FARM (3276) web site link and look under ‘Markets’.

Fall Market Place Montage a Fall Artisan Market to be held @ the O.P Hall 1577 128th Street, South Surrey. One day only! Saturday, October 11th, 2014 10:00 a.m. ± 4:00 p.m. An eclectic mix of tasteful home and personal accessories from a variety of talented artists and artisans. If you are an artist looking to display and sell your works, contact me, Cathie, right away.

Leather Goods Woodworking
Sterling Silver Jewellery Handmade Soap
Original Paintings Photography
Up-cycled Furniture Knitted Goods
Collectibles Vintage Inspired Jewellery
Flowers for your Thanksgiving Table Fall Comfort Food
Admission by Donation and Concession (Admission and Concession proceeds will be donated to The Canadian Woman’s Foundation and BC Guide Dogs) Contact Cathie Stonier for more information.

Kennedy Flea Market **New Owner** March 2014
8870 120 St, Surrey, BC V3V 4B4
Contact: Lucky Ph. # 778-709-5872

Kerrisdale Village Farmers Market Saturdays, July 7 – October 6 10am – 2pm each week East Boulevard between 37th and 41st Avenue – near Kerrisdale Arena INTERACTIVE MARKET MAP

Kitsilano Farmers Market Sundays, May 20 – October 21 10am – 2pm each week 2690 Larch Street at 10th Avenue, Parking Lot of Kitsilano Community Centre INTERACTIVE MARKET MAP

Main Street Station at Thornton Park Wednesdays, June 6 – October 3
3pm – 7pm 1100 Block Station Street along Thornton Park across from the VIA Rail Station and near the Main St Skytrain Station INTERACTIVE MARKET MAP

North Shore Green Markets – Has a variety of markets each week with the SHOWCASE being the Friday Night market 5pm – 10pm June 15th – Oct 26th, 2012 Shipbuilders Plaza 138 Victory Ship Way, North Vancouver. It features 4-6 different local musicians, dancers and performers each and every Friday night along with up to 70 local artisans, vendors and unique gourmet food trucks.
The market location is on the pier, to the east of Lonsdale Quay and is perfectly situated along the new and future Spirit Trail. The Pier development neighbours over 10 residential towers, Lonsdale Quay, restaurants, the Seabus and many other businesses. The location will make this event a perfect destination to bike, walk, rollerblade or hop the bus or Seabus and relax at the Pier take in the sights, sunsets, shop, eat and be entertained.

Their web site is: and the contact is Ingrid, 778-995-9461 | [email protected]


The North Shore Green Market

The North Shore Green Market

Otakara Hakkutsu (Treasure Hunt) Market at Japanese cultural centre! Date & Time: Every March. Location: Nikkei National Museum & Cultural Centre, 6688 Southoaks Cres., Burnaby (Kingsway & Sperling Ave).
“One’s Garakuta (junk) is another’s Otakara (treasure).” Over 40 tables selling Japanese items, dishes, clothes, small appliances, toys, books etc. Find treasures! Join the many scavengers!

Open free to the public, free underground parking. Tables are available at $25 each. For more info: or call 604.777.7000

Royal Canadian Legion Branch 118 – Cost is $20 per table – come join the fun, make some money and clear out some stuff! For information please stop by the branch or call 604 985 1115 Royal Canadian Legion Branch 118 123 West 15th Street (@ Lonsdale) North Vancouver.

Star of the Sea Catholic Church hall – markets are held the first sat. of Sept.4, Oct 2, Nov. 6, Dec 4. Some tables are available for rent. Please call [email protected] 604 536 5411.

Trout Lake Farmers Market Saturdays, May 12 – October 20 9am – 2pm each week North Parking Lot of John Hendry Park at Trout Lake Between Templeton and Lakewood south of the 13th Avenue Alley Please note: There is no parking in the North Lot and no parking on 13th Avenue. Please park away from the area & walk in. INTERACTIVE MARKET MAP

The Twilight Drive In Theatre Swap Meet – Every Sunday, gates open at 7AM & close at 4pm weather permitting mid April to mid October. Admission Sellers: $15, Buyers: $1, 260th St. & Fraser Highway, Langley, BC. For more information call 604-856-5165 or go to Sellers are welcome all day, no reservations required.

UCWLC Branch & St. Mary’s Parish – Saturday, May 25, 2013 9:30 – 2:30 Great stuff new & used Lunch available Gently used articles No clothing Tables: $25 Contacts: Olga 604-274-9804; Mary 604-271-1131; Marlayne 604-274-3164 ** St. Mary’s Ukrainian Catholic Centre, 3150 Ash Street, (16th Ave. & Ash Street, Vancouver) Sunday, February 22, 2015 – Benefit Concert by S.K.A.Y.
Location – 550 West 14th Ave Vancouver BC (St. Mary’s Ukrainian Catholic Centre)
Time – 7 PM.
S.K.A.Y. band can fairly be called one of the most popular rock bands in Ukrainian show business. They will perform at the St. Mary’s Ukrainian Catholic Centre with all proceeds going to support wounded Ukrainian soldiers and their families.
Tickets $40 ($45 at the door).
Call 604-336-0887 or e-mail [email protected] for tickets and more details.


SKAY Concert Performance

SKAY will be performing a concert in support of the Ukrainian soldiers during the crises in the Ukraine.

Vancouver Flea Market – 703 Terminal Avenue, Vancouver. The Vancouver Flea market – 360 tables Open EVERY weekend of the year Admission $1.00 Tables $25 We sell everything you can imagine. From Antique and collectibles to gold and silver jewellery. We now take consignment info 604-685-8843 Call (604) 685-0666 | 2014 Show Dates: Sun Jan 12, Sun Mar 9, Sun June 29, Sun Sept 14, Sun Nov 9 – Be sure and look for them!


The Vancouver Flea Market is located at Terminal and Main St.

The Vancouver Flea Market is located at Terminal and Main St.

West End Farmers Market Saturdays, June 2 – October 20 9am – 2pm each week 1100 Block of Comox Street across from Nelson Park at Mole Hill INTERACTIVE MARKET MAP

Vancouver’s Winter Farmers Market at Nat Bailey Stadium – Every Saturday, 10am – 2pm (closed December 24 & 31) Location: 30th and Ontario Street in the East Parking lot and Plaza of Nat Bailey Stadium. No access to 30th Avenue from King Edward on Ontario Street. There is no access to 30th Avenue when travelling south on Ontario Street.

You can always consider visiting the Antique Warehouse for a semblance of a trip to a flea market in Europe. We have over 12,000 sq. ft. of furniture and collectibles imported from France, Italy, Belgium and England. Our visitors and clients tell us they love to spend an afternoon just ambling through our store looking ( and buying ) some of the most beautiful things in the city.

If antiques are your thing then pay us a visit soon.

Mark LaFleur
The Antique Warehouse
226 SW Marine Drive,
Vancouver, BC

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An Art Deco Christmas Eve

It was around 3 o’clock on Christmas Eve when we pulled into Brussels. We’d been on the road for over 7 days touring the Christmas markets in France and Germany, and visiting Larry’s family. Our final leg of our trip was to spend Christmas Eve with our friends who’d recently moved to Brussels. When I say recently, I mean that same day!

Jeff and his family have been the subject of many of my blogs. I have to say he’s unequivocally my best friend in Europe and I was sad when I learned Jeff and his family were moving to Brussels. For economic reasons, they left Paris like so many other Parisians after Francois Hollande took control and imposed so many unreasonable taxes.


Jeff, Helene, Louis and Constantine on the staircase of their new home

Jeff, Helene, Louis and Constantine on the staircase of their new home

But I could see that his move to Brussels was going to be a happy one. His new house, was nothing short of breathtaking with it’s 5000 sq. ft. of Art Deco detail. From 14ft. ceilings to 4 ft wide crown moulding details, every turn delighted the eye. There’s a large backyard garden for the boys to play in. Their Parisian apartment, while large (100m or 1000 sq. ft) what a fraction of the size of this house and certainly didn’t have a full backyard.


Art Deco details were breathtaking. Look at the grillwork spaning the main salon from petite salon

Art Deco details were breathtaking. Look at the grillwork spaning the main salon from petite salon

The house has four floors, an immense garage for four cars, and a large backyard. In European standards this is privileged living.


Photo of me on the sofa in the main living room or salon.

Photo of me on the sofa in the main living room or salon.

The next photo gives you some idea of the scale of the height of the ceilings in this place.


Larry is over 6'2 to give you some idea of the height of the celings.

Larry is over 6’2 to give you some idea of the height of the celings.

Art Deco details were everywhere in this house. The house was originally built in the late 19th Century, with the Art Deco additions done in the early 20th Century. (there were influences of Art Nouveau in the Art Deco details). In the ‘Biz’ we’d call this transitional.

From the grill work to the light fixtures, everything was intact from it’s last restoration. Above the fireplace was a stained glass Art Nouveau/Deco scene of a mermaid in the ocean.


The fireplace was 19th Century and made from solid marble. The above stained glass was added later.

The fireplace was 19th Century and made from solid marble. The above stained glass was added later.


Note the intricated moulding on the ceiling.

Note the intricated moulding on the ceiling.


I wish I had brought a good camera to capture more of the beauty of this house. As it was an Iphone 5 had to suffice.

I wish I had brought a good camera to capture more of the beauty of this house. As it was an Iphone 5 had to suffice.

It was after 1 in the morning when we wrapped up our visit. Our friends were so excited about their new home, they didn’t want us to go.


Fabulous Wall Sconce measuring over 16" Tall.

Fabulous Wall Sconce measuring over 16″ Tall.

I spotted a fabulous ceiling fixture that was at least 4 ft. long in the main entrance of the house. I would have given anything to find something like this to bring back to Canada.

celing fixture

More Art Deco detail in the entrance of the house.

More Art Deco detail in the entrance of the house.

I hope you enjoyed the tour of this magnificent house. We have an open invitation to stay with them anytime we’re in Brussels. This is one invite I intend to take them up on!

Happy Holidays.

Mark LaFleur
The Antique Warehouse
226 SW Marine Drive,
Vancouver, BC

Hyatt Regency in Cologne Loves Antiques

In the ultra chic 5* Hyatt Regency in Cologne Germany we spotted this beautiful 19th Century farm table in the entrance foyer of the business class lounge. We’ve always said it…antiques in an ultra modern interior work beautifully. Evidently the designers of this hotel thought so too!

A beautiful 19th Century Farm table graced the foyer of the business class lounge at the 5* Hyatt Regency in Cologne Germany

A beautiful 19th Century Farm table graced the foyer of the business class lounge at the 5* Hyatt Regency in Cologne Germany

Happy Holidays!

Mark LaFleur
The Antique Warehouse
Vancouver, Canada.

Was the Mona Lisa a Chinese Slave, and Leonardo Da Vinci’s Mother?

The elusive identity of the Mona Lisa, one of art history’s most enduring and well-loved mysteries, might have just been solved. Well, sort of. According to art historian Angelo Paratico, the woman portrayed in Leonardo da Vinci’s masterpiece might be, simultaneously, a Chinese slave and the painter’s mother, the South China Morning Post reports.

However, Paratico is not yet exactly positive about the details of his potentially groundbreaking theory. “I’m sure to a point that Leonardo’s mother was from the Orient, but to make her an oriental Chinese, we need to use deductive method,” he told SCMP.

The Hong-Kong-based historian is giving the final touches to a book entitled Leonardo da Vinci: A Chinese Scholar Lost in Renaissance Italy. “One wealthy client of Leonardo’s father had a slave called Caterina,” Paratico told SCMP. “After 1452, Leonardo’s date of birth, she disappeared from the documents. She was no longer working there.”

Apparently, Caterina (da Vinci’s mother is widely thought to have been named Caterina) was taken to the town of Vinci, outside Florence, to give birth. Paratico’s angle is that she had to be removed from the household due to her improper relationship with her master, Leonardos’ father.

Does the theory sound like a bit of a long shot? Perhaps. But Paratico argues that, already a hundred years ago, the venerable Sigmund Freud claimed that the iconic painting was inspired by da Vinci’s mother, in his 1910 essay, “A Childhood Reminiscence of Leonardo da Vinci.”

Paratico substantiates his thesis further by insisting some aspects of da Vinci’s life suggest an oriental connection. For example, he was left-handed as well as a vegetarian, both of which were uncommon at the time. The art historian also says that Italy was full of oriental slaves during the Renaissance.

He believes that the painting’s background depicts a Chinese landscape, and that the Mona Lisa’s face looks Chinese.

Does it all still sound a little tenuous? Francisco Vizeu Pinheiro, an architect and assistant professor at the University of St Joseph, thinks so, telling SCMP that Paratico is “jumping quickly to conclusions since there’s no concrete evidence.”

Meanwhile, according to the Telegraph, users of the Chinese social media platform Sina Weibo have launched a Chinese-Mona Lisa meme parade, replacing her features with hilarious alternatives, for example the face of the Chinese comedian Zhao Benshan.

“I now understand why her smile looks so mysterious and concealed,” joked a Sina Weibo user. “It’s typically Chinese.”

The Mona Lisa with the superimposed face of Chinese comedian Zhao Benshan.

The Mona Lisa with the superimposed face of Chinese comedian Zhao Benshan.

The ‘Feasts’ of Christmas Past

While waiting to board between flights for Europe, I decided that instead of being glued to my computer and iphone like everyone else in the lounge I would revert to an earlier period in my life where reading a newspaper or magazine was all there was to pass the time. What a refreshing change that was.

I selected an English publication I had not heard of before ( by English I mean published in England ) that had written a fascinating article about a man named ‘Ivan Day’, an art historian by trade whose passion it was to examine cooking throughout the centuries. As I love to cook I read this article from beginning to end.

The article conjured images of roasting suckling pigs, fabulous meat pies, quince and pheasant pies, dinners by candlelight and roaring fireplaces. What could be more festive. Fascinating insights into how people celebrated the Holidays over the centuries.

Ivan Day photographed in front of his amazing creations.

Ivan Day photographed in front of his amazing creations.

The article written by Polly Russell ( Russell herself is a curator at the British Library), states that Ivan Day is a noted authoritarian on food making throughout the ages and runs food courses, advises museums and archives their collections and exhibitions. Day also has a website and has appeared on the BBC.

Day’s home is a charming authentic low beamed Medieval farmhouse in Cumbria that dates back to the 1600’s, replete with his collection of all the equipment needed to produce recipes as far back as the 1500’s. Day has a Medieval fireplace with a spit from the 1700.s that can roast a mutton, he also has antique copper moulds, both pie and jelly, fascinating implements for pie and pastry making that date back to the 1600’s.

Day’s passion began at the age of 13 when, after ducking into an antique store to escape the rain, he discovered a tattered old book published in 1723 by John Nott titled ‘The Cooks and Confectioners Dictionary’. He took one look, purchased the book as was hooked!

Ivan Day preparing a dish in his home surrounded by antique copper molds.

Ivan Day preparing a dish in his home surrounded by antique copper molds.

Since we’re well into the Holiday period, Ivan discusses the Christmas Feast and how it was enjoyed throughout the ages. In fact, I learned that Medieval people dined more lavishly than we do now. Feasts of 2 courses of 20 dishes each were prepared days in advance to insure a memorable experience at Christmas. It’s little wonder gout was such a problem back then.

Typical Tudor dress of the era.

Typical Tudor dress of the era.

Ivan Day explains that roast mutton was a staple at Christmas along with turkey, pheasant, swan, and other wild fowl (all served during the same seating). By the time Christmas came about these birds and animals were at their fattest and ready for butchering. As early at the 1500’s farmers were encouraged to grow Turkeys because they produced the most meat of any bird.

The Christmas pie was the centerpiece of the table. A chef named ‘Francatelli’ produced a pie in 1848 that consisted of truffles, turkey, pheasant and a small york ham that took two days to produce and 6 hours to cook. To produce a pie like this today, Ivan claims, would cost over $600!

A partridge pie created by Ivan himself.

A partridge pie created by Ivan himself. In the medieval period the chef would take the head and feathers of the actual bird so that people knew what they were eating.

Ivan also discusses the preparation that went into making desserts and sweets over the ages.

A 'motto' shortbread from the Victorian Era.

A ‘motto’ shortbread from the Victorian Era.

In a Christmas Day bill of fare by Robert May dated 1660 you can see below all the dishes that were prepared and served!

by Robert May, 1660

1. A collar of brawn [pork that is rolled, tied, and boiled in wine and seasonings].
2. Stewed Broth of Mutton marrow bones.
3. A grand Sallet [salad].
4. A pottage [thick stew] of caponets [young castrated roosters].
5. A breast of veal in stoffado [stuffed veal].
6. A boil’d partridge.
7. A chine (a cut of meat containing backbone) of beef, or surloin roast. Here’s May’s recipe:

To roast a Chine, Rib, Loin, Brisket, or Fillet of Beef
Draw them with parsley, rosemary, tyme, sweet marjoram, sage, winter savory, or lemon, or plain without any of them, fresh or salt, as you please; broach it, or spit it, roast it and baste it with butter; a good chine of beef will ask six hours roasting.

For the sauce take strait tops of rosemary, sage-leaves, picked parsley, tyme, and sweet marjoram; and strew them in wine vinegar, and the beef gravy; or otherways with gravy and juice of oranges and lemons. Sometimes for change in saucers of vinegar and pepper.

8. Minced pies.
9. A Jegote [sausage] of mutton with anchove sauce.
10. A made dish of sweet-bread (Here’s a recipe from A New Booke of Cookerie by John Murrell, published in 1615: Boyle, or roast your Sweet-bread, and put into it a fewe Parboyld Currens, a minst Date, the yolkes of two new laid Egs, a piece of a Manchet grated fine. Season it with a little Pepper, Salt, Nutmeg, and Sugar, wring in the iuyce of an Orenge, or Lemon, and put it betweene two sheetes of puft-paste, or any other good Paste: and eyther bake it, or frye it, whether you please.)
11. A swan roast.
12. A pasty of venison.
13. A kid with a pudding in his belly.
14. A steak pie.
15. A hanch of venison roasted.
16. A turkey roast and stuck with cloves.
17. A made dish of chickens in puff paste.
18. Two bran geese roasted, one larded [larding is inserting or weaving strips of fat in the meat, sometimes with a needle].
19. Two large capons, one larded.
20. A Custard.


Oranges and Lemons
1. A young lamb or kid.
2. Two couple of rabbits, two larded.
3. A pig souc’t [sauced] with tongues.
4. Three ducks, one larded.
5. Three pheasants, 1 larded.
6. A Swan Pye [the showpiece: a pie with the dead swan’s head, neck, and wings sticking up from it].
7. Three brace of partridge, three larded.
8. Made dish in puff paste.
9. Bolonia sausages, and anchoves, mushrooms, and Cavieate, and pickled oysters in a dish.
10. Six teels, three larded.
11. A Gammon of Westphalia Bacon.
12. Ten plovers, five larded.
13. A quince pye, or warden pie [pears or quinces peeled and poached in syrup, then baked whole in a pie].
14. Six woodcocks, 3 larded.
15. A standing Tart in puff-paste, preserved fruits, Pippins, &c.
16. A dish of Larks.
17. Six dried neats [calf] tongues
18. Sturgeon.
19. Powdered [salted] Geese.

And you know, nothing says Christmas like powdered geese and jellies.

No where does it mention how many people were served at this feast. But we can assume it was more than 4!

Quince Tart or Pye

Quince Tart or ‘Pastello de poma cotogne’ – or quince tart made from a recipe in Maestro Martino, Libro de arte coquinaria, perhaps the most important cookery text of the early renaissance. The hollowed out quinces are stuffed with bone marrow, sugar and cinnamon and baked on a puff paste base.

If your ambitious and think you’d like to try a Quince Tart or Pie, there are several modern day versions on the internet. You could try the original recipe dated in the 1660’s posted below: (if you can understand it…also the creation of the pastry is just assumed )

Quince Pye Recipe C.1660

Boil your Quinces in Water, sweetened with Sugar, till they be soft, then skin them and take out the Cores; after that boil the Water with a little more Sugar, Cloves, Cinnamon and Lemon peel till it becomes of the thickness of a Syrup; when cold lay your Quinces in Halves or Quarters, scattering Sugar between each Layer; put a pint of the Syrup, or more according to the Biggness of your Pye or Tart, make the Coffin round with close or cut Covers, and bake it pretty well. And thus you may do with Pippins and Pearmains, or with Winter-Fruit, and also with green Codlings.

If this article has you hungry for more, you can always fly to Cumbria and take one of Ivan’s 2 day courses at a cost of $600. Here’s an example of his course on Pie and Pastry Making

Pies created in the Pastry making course.

Pies created in the Pastry making course.

Pie Making and Pastry Course:


10 am – Welcome and Introduction to the Course. This course is for those who want to improve the quality of their pastry and to learn to raise pies to a very high standard of workmanship. We will learn how to re-create English historical recipes from the seventeenth to the nineteenth century. Our sources will included recipes from Murrell, May, Kidder, Nott, Francatelli, Mrs Marshall and Gouffé.

10.45 – 13.00 – Hot water crust, freehand pie raising and wooden pie forms – we will make and decorate a number of raised pies from historical sources, including a Cheshire Pork Pie, a Stump Pie and some Marrow Chewitts.

13.00 – 14.00 – Lunch

14.00 – 17.00 – Lining Paste, Cold Water Paste and Metal Pie Forms – Using 19th century pie forms and boards for printing sprig decorations, we will make a very ambitious raised pie based on one of Agnes Marshall’s recipes.

17.00 – 20.00 – Free

20.00 – Historic dinner (lots of pies of course) at Wreay Farm


10.00 – 13.00 A Lamb Pasty – we will make a highly decorative lamb pasty based on a design in Edward Kidder’s beautiful Book Receipts of Pastry and Cookery from the early eighteenth century.

13.00 – 14.00 – Lunch

14.00 – 17.00- Fine Pastry, Torts and Tarts – We will learn to make puff paste and paste royal and make some taffety tarts and a banniet tort.

As much as I love the sounds of all of this I am here in France. I’ve heard from friends that the very same thing exists here. I’ll see what I can find.

Until next time.
Thanks for reading.
Happy Holidays!

Mark LaFleur
The Antique Warehouse
226 SW Marine Drive
Vancouver, BC

Please visit our website at

In The Tradition of The Old Masters

So you think the great European craftsmen of centuries gone by have all but disappeared? Not So! In fact, here in our very own New Westminster exists one ‘Alexandre Sukhomilov’ who is replicating the quality and beauty of the French and European masters right in his studio.

We first met Alex in our store, when he’d be buying some of our most beautiful French 19th Century pieces. That is when he told us he was replicating the designs for his upmarket clientele who wanted the beauty of Europe for their homes in Vancouver we were impressed.

Alex can make anything from elaborate crown mouldings to full walled panels, trumeaus and more. All made to order to fit any sized room!

This difference with Alex’s product that instead of Gesso ( a form of plaster used by the old masters ) which breaks down over time, he uses a high quality resin that will literally last forever. The results were astounding.

Have a look at the photos below that he sent us.



The quality and detail are spot on, but we have to say, if you like the look of the ‘distressed’ 19th Century mirrors with all their  imperfections and flaws, you’ll still have to come to us.

But if you’re looking for made to measure elaborate old world charm room panels, moulding,  and more, see Alex. His work is breathtaking.

He’s located at 1019 Quebec St. in New Westminster, B.C.

Contact us for more information.

Mark LaFleur @ The Antique Warehouse.

The Color ‘Blue’

I’ve always loved the color blue. It can be formal or very relaxed depending on the shade. But the color applies to one of my all time favorite foods. The ‘blueberry’. Chocked full of flavor and those ever so important ‘antioxidants’ it’s worth having blueberries almost every day of the year.

You may think it odd that I’m writing about blueberries. But I discovered something quite wonderful this week that I felt I just had to share with all of you.

This year, like most years, we travel up to the Shuswap and stay my great friend Brian who has a wonderful place on the lake near Blind Bay. He was buzzing about this super place he loves called ‘Onninks Farm’. When he mentioned all they farmed was blueberries my interest suddenly peaked.

Brian suggested we stop in on our way back from the Shuswap. And that’s exactly what we did!

When we arrived at the farm the first thing I loved was the blue fence surrounding the property! The drive up to the sorting house was like discovering something special that we’d only see in Europe. We were greeted by the proprietor below (who’s from Rotterdam) who proceeded to tell us how her blueberries were washed, sorted, ( by an amazing computerized sorting and cleaning maching you can see right there ) and then packaged in boxes that were freezer ready.


The charming owner of Onninks Farm

The charming owner ‘Arina’ of Onninks Farm. (Everything was spotlessly clean and new) She also told us she loved our store and had purchased many things in the past.

The boxes are only $26/box for all these organic pre-washed blueberries!

The 'Birgitte' Berry at Onnink's Blueberry Farm

The ‘Birgit’ Berry is one of her best and in season now. Large, plump and very sweet!

They also sell these fabulous blueberry bonbons. ( I bought a small box and they are delicious!)


Blueberry Chocolates

These delightful little creations are boxed in the cutest little boxes that are so pretty they could be given as gifts.

Sadly I discovered their ‘blueberry tea’ after I left. I will definitely be ordering bottles of this!
No added sugars, no preservative and chocked full of antioxidants!)


Blueberry Iced Tea

Blueberry Iced Tea!

So if you’re a blueberry lover as I am, it’s worth the trip to Abbotsford just to take advantage of these wonderful berries. Click on this link to see the Onnink’s Blueberry website for more information.

Enjoy the rest of our fabulous summer in beautiful British Columbia no matter where you are!

P.S. our antiques 25th Anniversary Sale is ending soon….if you haven’t stopped by do it soon before it’s too late!


Should I Reupholster or Buy a New Sofa?

That all depends if you purchased a quality sofa to begin with!

According to Suzanne Dimma, editor in chief of House and Home Magazine, investing in the best sofa you can is her advice. If you invest early in the best, a sofa can be recovered for years and years to come.


Suzanne Dimma of House and Home Magazine

Suzanne Dimma of House and Home Magazine

“Invest in the best and start early. I still have the same sofa I bought for my first house. I chose one that was well built and the design I knew would be timeless. I’ve even had it re-upholstered time and time again, and still love it” says the doyenne of style.

If your sofa wasn’t all that great to begin with, consider buying a vintage or antique piece. The quality (particularly the European made) is usually superior to anything made today. From the construction, to the detailing, vintage pieces excel in almost every area. And lets face it, when you recover, you get exactly what you want. So start with good bones, and consider a vintage or antique piece.

How much fabric will you need? Here’s a guide below that can help you predetermine that.

A sofa from 76″ – 84″ Wide will need approximately 16 – 20 yards of fabric.

Classic Louis XVI French made sofa

This Classic Louis XVI French made sofa is timeless in design and when recovered will last for years and years to come. C.1930, the detailing is gorgeous (something you won’t find on a new piece) and will cost less than a new sofa. This piece will probably need around 12 – 15 yards of fabric.


Elegant and modern fabric on a classic Louis XVI Settee

Imagine this lovely fabric on this classic Louis XVI Settee. Elegant and modern.

For chairs, here’s some quick figures to help you out.

A wing back French Louis XVI style chair

A wing back like this French Louis XVI style chair will require about 6 – 7 yards.


French 20th Century Louis XVI Style Armchair

This chair, while almost 60 years old is a style that’s copied and manufactured today. You can buy this chair for less than $500! It will take probably 5 – 6 yards.


French Empire Chairs C.1800.

One of the French Empire Chairs C.1800 will require 4 yards. Times that by 2 for the pair. They’ve last over 150 years now. They’ll be good to go for another 150.

(Everything above is available at the Antique Warehouse). If you don’t see what you’re looking for, remember not everything in our 12,000 sq.ft. store is online. You can also sign up for our weekly acquisitions. You’ll never know what’s coming down the pike. This is Mark LaFleur signing off from beautiful Vancouver, British Columbia.

Have fun!

An Extraordinary Encounter in France

Hello from France!

Just this past week, Larry and I had the great pleasure of meeting a very important lady in the world of early 20th Century furniture designers.

This extraordinary lady’s name is ‘Francoise Siriex’. Mdm. Siriex was the director of the ‘Maison Leleu’ from 1950 until it’s close in 1973.

What was Maison Leleu? It was the atelier of reknowned modernist designer ‘Jules Leleu’ (1883 – 1961).

In case you’ve never heard of Jules Leleu let me fill you in. He was one of the greatest art deco and modernist furniture designers of all time whose beautiful furniture commands several thousands of dollars to this day.

A very close Parisian friend of ours knew how much we loved Leleu and just happened to mention in fact she knew the former directrice. Brigitte, our friend, kindly telephoned Mdm. Siriex and asked if we could meet her. Much to our delight Mdm Siriex agreed.

Larry Adams and Mdm. Siriex at the exhibit of modernist designers at the Espace Landowski

Larry Adams and Mdm. Siriex at the exhibit of modernist designers at the Espace Landowski just outside of Paris.

It was a rainy blustery afternoon that day, in fact, I thought I might spare the lady our meeting by organizing a more ‘weather friendly’ day. When I telephoned her she remarked that a little rain was not a problem and she’d meet us at our arranged time and place.

Madame Siriex well into her later years, met us at the Espace Landowski, a gallery in Boulogne Billancourt and proceeded to tour us around the exhibit that featured Leleu’s work and other super star designers of the time.

We were later invited back to her apartment and chatted with this dynamic woman for over three hours about her past and her work at the Maison Leleu. We learned this incredible lady had recently published a book on the Maison Leleu in 2008.

The House of Leleu by Francoise Siriex Book Cover

The House of Leleu by Francoise Siriex available on

She spent years assembling this magnificent book, which is available through for anyone who’s interested. Be aware however, this book will set you back over $300. If you saw the book you’d know why. It’s one of those fabulous over sized ‘coffee table’ books that’s large, impressive and beautifully put together with loads of information on this incredible designer. In fact, this dynamic lady still flies back and forth to New York doing book signings and guest appearances.

At one point during our visit I remarked if she had any of the original designs from the famed designer. The gracious Mdm Siriex brought out a file of hundreds of original designs that she’d kept for decades. As I carefully leafed through the amazing collection she asked me if I’d like one. Thrilled, of course I said yes. She remarked she couldn’t leave Larry out for fear of rivalry between us so a grateful Larry picked out a wonderful sketch done for a bathroom designed in 1930.

An original pen and ink sketch by Leleu C.1940

The original pen and ink sketch that I chose by Leleu C.1940.

Brief history of Jules Leleu

French superstar designer 'Jules Leleu' C.1940

French superstar designer ‘Jules Leleu’ C.1940.

Jules Leleu was born in Boulogne sur Mer (North of Paris near Calais ) in 1883. Raised in an artisitc family, the young Leleu studied applied arts and in 1918 went into furniture design. He moved to Paris in 1924 where he lived with another famous designer Jacques-Emile Ruhlmann.

The House of Leleu prospered and later became a family business. By the late 1930s, Leleu’s sons, André and Jean, and his daughter, Paule, were active partners. The famous atelier had an elite clientele including the Prince of Monaco, The Emperor of Japan, and President Eisenhower.

Commode by Jules Leleu C.1930

Commode by Jules Leleu C.1930

The furniture of Leleu is often compared to that of Jacques Ruhlmann. Each liked simplified shapes, the use of exotic woods, marquetry and inlay of ivory.

Leleu outlived Ruhlmann, and his style evolved. He grew adventurous, adopting new materials like artificial lacquer, fiberglass, plastic and aluminum and continued his prolific career designing.

Along with the interiors of industrialists’ houses, Leleu designed sleek salons for ocean liners like the Ile-de-France and the Normandie, corporate offices and interiors for public institutions (the League of Nations in Geneva), and the Elysee Palace in Paris.

SS Ile de France cost over $10,000,000 to build

SS Ile de France cost over $10,000,000 to build.

1st class suite in the SS Ile de France

1st class suite in the SS Ile de France.

Lean Horne and Rita Hayworth

Lean Horne and Rita Hayworth were among frequent voyagers on this luxurious liner.

The Main Foyer of the SS Ile de France

The Main Foyer

Leleu died in 1961, leaving a legacy of elegant, refined and often surprisingly original work, and his pieces are highly sought after today. His family and loyal staff (Mdm Siriex included) continued his work until 1973 when the Maison Leleu finally closed it’s doors.

Beautiful sideboard 'attributed' to Jules Leleu

This beautiful sideboard is only ‘attributed’ to Jules Leleu and sells for $28000.

The Antique Warehouse and ‘Leleu’

A curious remark was made during our visit with Mdm. Siriex. She stated that “Pas tous de Jules Leleu meubles a été signé” which in English means “not all of Leleu’s pieces were signed.” We’ve had signed ‘Leleu’ pieces sold through the store before, but we’re sure we’ve had some that were unsigned. In any event we’ll pay careful attention to the detail and craftsmanship that is unmistakable ‘Leleu’ in the future. Have a look at this French art deco cabinet that’s unsigned and currently in the store.

We have several ‘modernist’ pieces arriving to the store over the next several months. If you’re a lover of this style, please keep tabs on our ‘new container‘ announcements. ( One expected in about two weeks )
You can sign up for our newsletter and product updates if you’ve not already done so. We’ve not picked up any signed pieces of Leleu, but you never know… That’s what makes our business so exciting!

A bientot, from Paris France.


Celebrity Sighting

My old dear friends, Simon and Julie just sent me this photo of Pierce Brosnan in their store. He graciously offered to stop for a photo which Julie quickly sent to all her friends.

Pierce Brosnan at an Antique Store

French Nobility Home Untouched for 50 Years

It was a cold rainy grey January afternoon when we entered through the massive gates of a once elegant 19th Century  house. It was a hotel particulier ( city home ) located about 2 hours north of Paris. We’d received a tip from a close friend that a descendant of French Marquis and Marquesa ( the last remaining inheritor in the bitter family feud that lasted over 70 years) wanted to sell the house and all it’s contents, including several pieces of antique furniture. The only problem was the house was left untouched for over 50 years. The prospects of such a find intrigued us so we’d made arrangements to see the house the next day. What we saw and experienced shook us to our very core.

Upon entry, the first thing we noticed was the bitter cold. The dark, damp interior chilled us to the bone. There was dust an inch think, cobwebs, broken floor boards, peeling 19th C. wallpaper and paint. Decay and abandon was everywhere we looked. Armed with nothing but flashlights and daylight streaming through the windows to help light our way, we continued guardedly on.

Climbing the Stairs in an Untouched French Nobility Home

“No one has stepped in the place for over 50 years” said our friend creeping along beside us “so be careful. C’est tres dangereuse.”

19th Century Hallstand in French Nobility Home

This is a shot of the 19th Century hallstand in the main entry foyer. We bought this even though it needs some minor repair. Notice the beautiful tile work in the entrance. Typically late 19th Century C.1880.

Beautiful furniture gone to waste in a French Nobility Home

The beautiful parquet flooring was all bent and broken from moisture from the ground. Documents, old papers, china, objets d’art lay strewn about everywhere. Furniture was everywhere, some still in it’s original place. Notice the beautiful gold gilt furniture ( which was sadly too far gone ) against the broken floor boards and the sad lamp and shade. I just shook my head in disbelief and wonderment. What insanity could possess any family to become so bitter as to let a beautiful home like this fall into such a deplorable state.

French Nobility Bedroom in Disarray

A staircase led to the second floor which had four bedrooms, a full bathroom and separate WC and a sewing room. Closets, armoires and chests of drawers were literally stuffed full of linens, old clothing, documents, and more. Even the bathroom cupboard was full of old prescriptions for the Marquis and his wife intact, from the turn of the Century.

But ours wasn’t to judge. We were in the enviable position of assessing the contents and purchasing whatever we wanted. And we purchased a lot. Amazingly enough, the furniture was all ( well most of it ) in good condition. Very dirty, covered in dust and cobwebs, but in good condition.

All the photos I took are with my iphone so the quality lacks. Hopefully you’ll be able to see past the rubble and dirt to recognize the grandeur that was once this lovely home.

Antique Pram

Antique Fireplace Insert dating from 20th Century. C.1900

This fireplace insert dates to the beginning of the 20th Century. C.1900. It was in perfect condition and one of the loveliest examples of Art Nouveau we’d seen in awhile. (It’s on our next container due to arrive shortly.)

Destroyed Hunters Antique Table

Sadly this fabulous Hunters table did not make on our next container. It was located in the Dining room and had 12 matching chairs, 8 which were in decent condition.

Early 20th Century dress form C.1920

This is an original early 20th Century dress form C.1920. We bought this too as these are very very rare and highly decorative (this was located on the second floor in one of the bedrooms.)

One of the three bedroom suites that we bought. Remarkably in excellent condition. C.1900.

Antique Armoire and Prayer Bench

A prayer bench that we bought along with everything else in this room. The Armoire you see behind was full of untouched clothing.

Main Dining Room Floor and Antique Wallpaper

Another shot of the main floor dining room. Note the elegant wallpaper C.1900. Typical to the late 19th Century.

Antique Mirror, Newspapers and Documents

The mirror wasn’t for sale. Note the piles of old papers that were over 100 years old. Newspapers dating 1910 and older.

Empty Antique Cupboards in the Library

Empty cupboards in the library on the main floor. You can see how beautifully designed this house was and how elegant it must have been in its day.

Typically French mouldings of an elegant home C.1900

Typically French mouldings of an elegant home. All C.1900

Dirty China Piled Up in French Nobility Home

Dirty china just piled up for decades untouched. ( we didn’t buy any of this ) No gorgeous limoges in this pile.

Beautiful French commode from the late 1800's

A beautiful French commode from the late 1800’s. We bought this too. (located in the main entrance of the house)

Antique French Buffet Hutch

A French Buffet Hutch we bought that went along with the dining table and chairs ( all in the dining room )

Dusty Attic of Untouched French Nobility Home

The attic. It was literally buried in dust and dirt. There were four servants rooms on this floor.

Larry Debating Purchase of the Antique Chandelier

Larry in deep thought quietly considering if he’d like to buy the chandelier or not.

It took us three hours to complete the tour and assessment. Happily for us, much of the furniture was salvageable so we made an offer and bought everything that interested us. It was experience we’ll never forget. A peak into the insane world of a family gone mad with greed and grief.

Keep an eye out for pieces of this antique furniture to be available in our showroom at the Antique Warehouse.