At the age of 25 Royo began feeling a growing desire to paint the land of his birth; to convey the light, the color and the intensity of Valencia and the Mediterranean. This meant a new focus and change of style in his work; he needed to perfect new ways to capture the light, the shadow and to work on classical composition styles. Through the 1980’s Royo perfected his style of painting the Mediterranean and exhibited abroad, notably in London, Brussels, Copenhagen and Paris. He also participated in the International Geneva Art Fair.
Beginning in 1989 and continuing until today we see the development of Royo’s “matured” style. His dramatic use of color and “texturing” capture his subject matter with unique flair. Parallels can be drawn to the work of the European masters; for example, with Royo’s “homage to the female form,” we see the distinct influence of Renoir. It is the similar, almost portrait-like treatment of the female model, caught in a serene, contemplative moment, with the surrounding “bursts” of color from the floral landscapes where we see the “Renoir” in Royo’s work. In fact, critics have concluded, “If the artwork of Renoir were blended with that of the ‘Valencian painters’ you would arrive at the canvasses approaching the uniqueness of the impressive work of Royo.”
La Jarra de Geranios. or ‘Jar of Geraniums’ is a beautiful example of his earlier period. A full 60″ Across by 36″ this painting makes a beautiful statement and an impressive addition to any collection.
74″ Wide x 54″ Tall x 3″ Deep